I have added a few photographs and apologies to any unidentified(c) holders
By SAM ROBERTSJUNE 26, 2017
Hope Ryden developed a passion for photography during breaks
abroad as a Pan Am flight attendant in the 1950s. Credit Barbara Hill
Hope Ryden, whose lifelike photographs of North American
beavers, coyotes, mustangs and other wildlife helped elevate them into poster
animals for conservation campaigns, died on June 18 in Hyannis, Mass.
She was 87.
The cause was complications of hip surgery, her brother,
Ernest E. Ryden, said.
An English major who later developed a passion for
photography during breaks abroad as a Pan Am flight attendant, Ms. Ryden, in
1961, joined Robert Drew & Associates, a noted documentary production
company, where she and her colleagues were in the vanguard of cinéma vérité
filmmaking.
By the early 1970s, she had become a full-time naturalist
and animal-rights advocate, publishing books for adults and children lushly
illustrated with her own photographs.
Her advocacy was credited with encouraging Congress to pass
legislation in 1971 protecting the populations of wild horses and burros in the
West; their numbers had dwindled to an estimated 17,000 in 1970 from a peak of
two million. She also helped persuade New
York’s Legislature to name the beaver the official
state mammal in 1975.
Ms. Ryden wrote two dozen books on wildlife, including “America’s
Last Wild Horses” (1970), “God’s Dog: A Celebration of the North American
Coyote” (1975), “Bobcat Year” (1981) and “Wild Animals of America ABC” (1988).
In “Lily Pond: Four Years With a Family of Beavers” (1989),
she described beavers’ sociable dam-building, kit-rearing and playful shoving
matches, observed in Harriman State Park in Rockland County, N.Y.
Ms. Ryden wrote two dozen books on wildlife, including “America’s Last
Wild Horses” (1970).
“Like Japanese wrestlers, the contenders would square off,
grip one another’s loose ruff with their black satiny hands, and then drive
forward with all their might until the stronger one propelled the weaker
backward into deep water,” Ms. Ryden wrote.
“Breast-to-breast, cheek-to-cheek, heads tilted skyward,
eyes rolled upward so that only membranes showed,” she continued, “their
resemblance to samurai warriors was uncanny, both in bodily shape and in the
martial strategies they employed. They inflicted no wounds; theirs was a
contest of strength, not an outlet for vengeance.”
Hope Elaine Ryden was born on Aug. 1, 1929, in St. Paul, Minn.
Her father, E. E. Ryden, was a Lutheran minister who helped unify four
denominations to form the Lutheran Church of America. Her mother, the former
Agnes Johnson, was an organist and pianist.
In addition to her brother, she is survived by her husband,
John Miller.
After earning a bachelor’s degree in 1951 from the University of Iowa, she was a fashion model in
addition to her work as a flight attendant. In 1958, she was a crew member
aboard Pan Am’s inaugural trans-Atlantic jet passenger flight.
Ms. Ryden spent more than 25 years as a writer, director and
producer of documentary films, beginning with Drew Associates and also working
for ABC News.
Among her first documentaries was “Jane” (1962), which
profiled the actress Jane Fonda at 25 as she prepared for her starring role in
“The Fun Couple” on Broadway. The show flopped, but the documentary, produced
by Ms. Ryden and directed by D. A. Pennebaker, became a classic of
fly-on-the-wall filmmaking.
In 1965, she and her production team, including the
cinematographer Abbot Mills, immersed themselves in the lives of Richard and
Mildred Loving, the Virginia
couple who challenged the state’s law against interracial marriage.
Photo
Ms. Ryden’s devotion to animal rights often extended to
creatures that had been spurned as varmints by sheep ranchers, pet owners and
backyard gardeners. Credit Penguin Random House
Ms. Loving, a black woman, and Mr. Loving, a white man, had
been sentenced to a year in prison for violating an anti-miscegenation statute
that was still valid in Virginia
and two dozen other states. In 1967, the United States Supreme Court declared
the Virginia
law unconstitutional, voiding all race-based restrictions on marriage.
Ms. Ryden’s footage was not immediately screened publicly,
but was incorporated into “The Loving Story,” an Emmy Award-winning documentary
released in 2011, in which she also appeared.
Her other documentaries included one that followed two Peace
Corps nurses in Malaya and another on a Boston man who saved some 9,000 animals
in Suriname from starvation or drowning.
She devoted her later years to animal-rights advocacy,
passionately objecting to the treatment of wild horses as livestock to be
slaughtered wantonly.
In addition to her books, Ms. Ryden wrote for National
Geographic, Audubon, Smithsonian and The New York Times Magazine.
Her commitment to animal rights earned her a place in the
pantheon of scientific adventurers embraced admiringly by Kay Redfield Jamison,
a psychiatrist and author, in her book “Exuberance: The Passion for Life”
(2004).
Ms. Ryden’s devotion to the cause often extended to
creatures that had been spurned as varmints by sheep ranchers, pet owners and
backyard gardeners.
The resurgence of the Eastern coyote, for example, reminded
her of “a sunflower that has penetrated a cement sidewalk,” she once wrote,
adding that “the event suggests that man’s strangulation grip on nature may not
yet be fatal.”
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A version of this article appears in print on June 27, 2017,
on Page B12 of the New York
edition with the headline: Hope Ryden, 87, a Photographer And Protector of
Wildlife, Is Dead. Order Reprints| Today's Paper|Subscribe
